GUITAR PRODIGY NATHAN CAVALERI ANNOUNCES NEW ALBUM ‘MIRACLES’ + SPRAWLING 26 DATE REGIONAL TOUR OF AUSTRALIA

June 22, 2023June 22, 2023 Sheldon Ang

An authentic and adventurous exploration in and beyond the blues and alternative rock realms, the brand new album Miracles out today from revered Australian artist Nathan Cavaleri is a dazzling journey of stylistic evolution and masterful execution. Taking you far beyond the limits of Cavaleri’s trademark creative leanings, Miracles dives headfirst into fresh elements of alternative rock, psych blues, surf rock melodics, funk and swagger alongside Cavaleri’s effortlessly smooth vocals and knock-your-socks-off guitarwork. An irresistible collection of songs to soundtrack life, love and everything in between, Miracles will also imminently offer plenty of sonic delights live in action, with Cavaleri today announcing an extensive run of shows right around Australia from July onwards.

Kicking off on Friday 7 July in Katoomba, Nathan’s Miracles Tour will journey to regional and metropolitan Australia, visiting Taree, Elizabeth Beach, Kununurra, Darwin, Alice Springs, Adelaide, Mount Gambier, Sydney, Canberra, Bulli, Brisbane, Kandanga, Eumundi, Rossville, Wamberal, Newcastle, Hobart, Launceston, Ulverstone, Franklin, Belgrave, Fitzroy, Warburton, Bermagui and, finally, an appearance at Rock The Boat Cruise on Friday 24 November.

Following on from his 2020 full length album Demons, which humbly showcased Cavaleri’s staggering skillset beyond his well-documented early years as a prolific musician and actor, as seen recently featured on ABC’s Australian Story in 2020, Miracles is ultimately a bewitching amalgamation of diverse sonic palettes, sharp storytelling and a no-holds-barred approach to the alternative and blues rock realms, with Cavaleri writing, recording and mixing the album himself, documenting the entire creative process via the interactive livestreaming service, Twitch, accumulating 2 million live viewers throughout the process. Stepping beyond comfort zones and expectations at every turn, Cavaleri’s journey towards the release of Miracles is poignantly reflected in the album’s very cover art; a true miracle of life often trivialised in today’s modern world, but a fitting representation of Cavaleri’s own pursuits of resilience, peace and confidence without relying on the world around, as he elaborates, “The feeling of releasing Miracles inspires the same contrasting emotions that came whilst creating it: liberation with a side of terror! Fortunately, it’s not the other way around. Even after sending the Miracles masters off to the label, my connection to inner truth was tested. The courage it took to create this album has been like no other. All songs pulled, ripped, cried, laughed and loved from the depths of my emotional dwellings; I had to face my creative insecurities head on and challenge all aspects of the past that attempted to block the flow of authentic expression.”

Having grown up in the spotlight, picking up a guitar and learning to play along with some of his favourite blues albums at the age of three, Cavaleri had mastered the electric guitar by the age of five and ticked off his first official gig a year later. Amongst a devastating leukaemia diagnosis and a burgeoning profile as some of the Australian music industry royals flocked to his skills and story, Cavaleri was soon performing extensively around the country alongside the likes of Jimmy Barnes and Diesel, going on to tour globally alongside Etta James, Bonnie Raitt and BB King while still receiving treatment for leukemia. Simultaneously forging his long-term resilience and pursuit for purpose, Cavaleri would receive a clean bill of health at the age of thirteen, before going on to sign to Michael Jackson’s MJJ Records after a competitive bidding war between both Prince and Madonna. But against it all, Cavaleri’s courage and evolution stood strong against multiple storms; a fact that only heightened Cavaleri’songoing diversion out of his long-established blues stylings that has currently culminated in the brand new album. And alongside the ongoing expeditions that led to Miracles, some of Cavaleri’s very own mentors also played a part, with varying effects on his creative spirit as he reveals, “I’d been told by mentors, ‘You’ll never be a singer. Get someone else to sing your songs’ and had B.B. King quoting me ‘The future of blues’. Through accepting the possible realities of disappointment from a community that has supported me my whole life, the purpose for creating music was revealed. Ironically, B.B. King’s advice of ‘Be You’ became my anchor. Emotional turbulence is mercilessly expressed on this album and stylistically found its tones within the alternative rock blues space. Musically you’ll hear anything from weeping surf melodies to fuzzy stomp swaggers. I re-connected with my first musical loves and my latest. And with a fight, my voice found home on the microphone whilst paradoxically taking me to places that I’ve never been before.”

Opening with the driving jaunt of Querencia, Miracles journeys across RoadHouse indie blues lined with psychedelic twists and hypnotic grooves (Broken Lines), George Harrison-esque ballads flowing with emphatic lyrical intimacy (Gone To God), hazy surf rock gems (Cool Changes) and doo-wop ready bliss (Not With You). But while Cavaleri’s swoon and croon permeates every corner of Miracles, he also flexes a dazzling grasp on every genre flavour that finds its way into his enticing mix, while also re-establishing himself as one of Australia’s eminent story-spinners. From the sumptuously sleazy and cheeky ode to stepping outside your comfort zone pulsing with personal intimacy (the aptly titled Comfort Zone) to the primal toe-tapper Man On Fire, featuring Archibald Prize-winner Blak Douglas on Yidaki (Didgeridoo) that demands to be blasted down a desert highway both lyrically and musically, Cavaleri expertly weaves a vivid and bewitching world to lose yourself heart and soul into, continually leaving you wanting more. And amongst softer moments (My Boys, Go Quietly), prowling grit (Dry Ice) and majestic instrumentals (courtesy of closing track When the Party is Over, a surf rock-soaked Billie Eilish cover), the true jewel in the crown for Miracles’ 12 tracks is ultimately none other than its pulsating focus track: the title track Miracles. A true rock’n’roll showing from Cavaleri dipped in fiery hues, palpitating beats and lashings of glistening saxophones, Miracles also pays boisterous homage to early 80s rock via its oscillating sonic thunder and explosive zest that beg to be heard in a live setting.

Fans will have the opportunity to catch Cavaleri all around the country from early July right into November, with the man of the moment locked and loaded for his expansive Miracles Tour. And, as Cavaleri reveals, the tour will find the prolific performer balancing his blues chops with definite nods to his guitar solo-laden past. “The Miracles tour has me staying true to the story-telling style performance introduced for my last album tour for Demons, but the show itself has inherited an elevated level of intensity purely from the nature of the songs themselves. Staying strong with a scaled down yet extremely powerful and electric line up, the set gets spotlight intimate, as well as firing hot in a way that can’t be felt on a recording. And as much as I’ve ventured beyond the blues, I can’t not go back to my roots for a few five or twenty minute solos!”

A true icon of the Australian music industry, Cavaleri’s early years saw him tick off everything from an appearance on Baywatch to performing for the Clintons during their time in office, gracing multiple American primetime TV talk shows, and starring in feature films. But after forming a blues rock band with Col Hatcham from The Screaming Jets, Cavaleri experienced adrenal fatigue and severe anxiety, ultimately spiralling into depression that saw him away from the spotlight. But from his lowest point experiencing a panic attack and passing out on stage of the Queenscliff Music Festival to continuously confronting and tackling many of his demons, seen most recently in 2020 via the extremely aptly titled Demons, Cavaleri has gone on to vigorously thrive since his return to stages and studios following many years away cultivating who he is at his core as an artist, a musician and, most importantly, a person. And it’s this discovery and reigniting of passion that most ardently burns on Miracles, as Cavaleri happily concludes, “After three years of touring since getting beyond mental health challenges, I can finally trust myself on the road. The stage is now the remedy not the challenge. The gig is now an anchor of love and presence that I get to experience with thousands around the country.”

Miracles is out today.