Live Review: Horizon in Melbourne 2025
8th August 2025 at the Evelyn Hotel in Fitzroy, Melbourne
Review by Jeana Thomas
Photography by Jeana Thomas Photography
Horizon’s Triumphant Return – A Night to Remember at The Evelyn
The walls of The Evelyn Hotel in Fitzroy may still be vibrating from the energy that Horizon brought last night, as they returned to the stage for the first time in years and what a return it was.
Reuniting in tribute to their late bandmate and musical brother, Stuart “Chet” Fraser, the legendary fusion-rock outfit delivered a night of soul, shred and celebration that left the packed Fitzroy crowd cheering and at times, visibly moved.
The night marked the live debut of their brand-new album and true to form, Horizon performed it start to finish — a bold move, but one that paid off in spades. The album, a heartfelt sonic journey packed with groove, precision and passion, was both a heartfelt salute to Chet’s spirit and proof that this band’s creative spark still crackles like old friends finishing each other’s solos. I enjoyed it so much, I bought the album on the night.
Seeing Lee Bradshaw (composer of Zarqa) take command of the keys once again was a treat in itself — his playing was equal parts thunder and velvet, anchoring the set with effortless groove. Brett Garsed (John Farnham/Jimmy Barnes), the guitar wizard himself, delivered solos that bordered on spiritual, effortlessly weaving melodic storytelling with moments of jaw-dropping technicality. The man is a magician with six strings.
On drums, Angus Burchall (John Farnham/Jimmy Barnes) was a rhythmic powerhouse — locked in, dynamic and clearly having the time of his life. And rounding out the line-up was Rich Panaia (Christine Anu), whose bass added rich textures and a surprising number of grin-inducing moments throughout the night.
Sharing the stage with Horizon, Melbourne trio The Sonettes brought a captivating blend of charm, soul and precision. Their harmonies were effortlessly tight. rich, layered and perfectly timed – creating a sound that felt both nostalgic and fresh. Each member brought their own distinct vocal tone and stage presence, weaving together a dynamic that was as compelling individually as it was collectively. Whether delivering delicate melodic lines or soaring choruses, The Sonettes proved themselves not just as talented vocalists, but as true performers with a deep musical connection to each other and their audience.
The new Horizon album for those who haven’t had a listen — walked the line beautifully between progressive exploration and deeply emotional song-writing. Tracks like “Sex and Love” and “I Hate The Way That I Love You” were instant crowd favourites, balancing lush arrangements with fiery solos and poignant lyrics.
Lee kept the atmosphere of the night light and fun, effortlessly keeping everyone laughing with his quick wit and hilarious stories, At times, it didn’t feel like a gig at all—it felt more like something magical, like witnessing a musical Olympics where every moment shimmered with gold and we were lucky just to be there for it. Despite the technical brilliance, everything felt grounded, especially when Lee reflected on Chet’s influence, both musically and personally.
With the new album finally out and this blistering live show setting the tone, there’s only one question: where to from here? The crowd certainly hopes this wasn’t a one-off. Horizon sounded more alive than ever — like a band with something still to say and the tools to say it beautifully. The night was recorded which will be put towards a feature documentary about the band from the start of their journey until now.
As for Horizon, if last night was any indication, the horizon looks wide open.
If you were there, you know. If you weren’t — don’t miss them next time. Horizon is back, and they’ve never sounded better.
Peter Freebairn with Radio Vertigo
Opening the night with warmth and sincerity, Peter Freebairn, joined by Radio Vertigo, delivered a compelling support set that blended original heartfelt songwriting with polished, quietly powerful musicianship.
Peter Freebairn, joined by Radio Vertigo, eased into the evening with a set that carried a subtle cinematic quality and a relaxed touch of swagger. Freebairn, known for his knack for thoughtful song-writing wrapped in lush arrangements, didn’t disappoint. With Radio Vertigo behind him (tight, polished), the sound was big and bold without ever losing its intimacy. Radio Vertigo complemented Friebairn perfectly, bringing a warm, understated musicianship that elevated each song with subtle textures and tight, intuitive playing.
I really enjoyed his set of original songs which was a heartfelt journey that unfolded with sincerity, charm and undeniable talent. Opening with The One, he set the tone for the evening – an intimate, melodic reflection on love and the search for something real. With warm vocals and honest lyrics, the song immediately drew the audience in, striking that sweet spot between vulnerability and strength. He followed with Girl I Know, a more groove-driven track that balanced a laid-back feel with clever, emotionally resonant storytelling, painting a vivid picture of a familiar, unforgettable figure from his past.
Lucky brought a hopeful, almost buoyant energy to the set—a celebration of those moments when life surprises you in the best way. It was one of those songs that made people smile without even realising it. Home Town, perhaps the most nostalgic and personal of the set, was written during the height of the COVID lockdowns, at a time when people were saying a lot of negative things about Melbourne. For him, though, it was a way to express his love for the city he grew up in—a place that, despite everything, still felt like home.
Freebairn closed with Free, a standout track that soared with both lyrical clarity and musical freedom – a declaration of self-acceptance and letting go. Altogether, the set showcased not only his skill as a songwriter, but also his ability to connect deeply with the audience through songs that felt both personal and universal.
It was a real pleasure to hear such thoughtful, original songs—each one full of meaning and heart and a testament to Friebairn’s talent as both a songwriter and performer.
So, while Horizon’s return may have been the headliner moment, make no mistake: the runway was lit, the engines were roaring and Peter Freebairn with Radio Vertigo helped launch the night into orbit.
About the Writer: Originally hailing from Western Australia, Jeana Thomas now thrives in the vibrant city of Melbourne. Amidst the hustle of her role in a prominent teaching hospital, she also navigates the dynamic world of entrepreneurship as the owner of a medical transcription company. Beyond her professional endeavours, Jeana finds solace and joy in the rhythm of music, the allure of travel and the artistry of photography, with a particular passion for wildlife photography.
About Sheldon Ang Media: Sheldon Ang Media (est. May 2022) have been accredited to more than 190 of the hottest acts including Coldplay (Perth), Taylor Swift (ERAS Tour in Sydney), KISS, Iron Maiden, RHCP, P!NK and The Kid LAROI with reviews shared by the likes of Belinda Carlisle, UB40, Delta Goodrem, The Wiggles and Toni Childs on social media. The founder has interviewed rockers Suzi Quatro, Ace Frehley (KISS), John Steel (The Animals), Frank Ferrer (Guns N Roses), Phil X (Bon Jovi), Andrew Farris (INXS) plus over 70 artists. SAM is also a music journalist on the Triple M Radio network.
